翻訳と辞書
Words near each other
・ À la Table de Spanghero
・ À la vie, à la mort !
・ À la zingara
・ À ma manière...
・ À ma place
・ À mort l'arbitre
・ À nos actes manqués
・ À Nos Amours
・ À Nous la Liberté
・ À nous la rue
・ À nous les petites Anglaises
・ À Paris
・ À Partir de Maintenant
・ À prendre ou à laisser
・ À Propos
À propos de Nice
・ À propos de Sarajevo
・ À quoi je sers...
・ À rebours
・ À St-Henri le cinq septembre
・ À Suivre
・ À ton image
・ À Tout le Monde
・ À tout prendre
・ À toute allure
・ À toutes les filles...
・ À travers la forêt
・ À Tâtons
・ À vau-l'eau
・ À vendre


Dictionary Lists
翻訳と辞書 辞書検索 [ 開発暫定版 ]
スポンサード リンク

À propos de Nice : ウィキペディア英語版
À propos de Nice

''À propos de Nice'' is a 1930 silent short documentary film directed by Jean Vigo and photographed by Boris Kaufman. The film depicts life in Nice, France by documenting the people in the city, their daily routines, a carnival and social inequalities. Vigo described the film in an address to the Groupement des Spectateurs d'Avant-Garde: "In this film, by showing certain basic aspects of a city, a way of life is put on trial... the last gasps of a society so lost in its escapism that it sickens you and makes you sympathetic to a revolutionary solution."
''À propos de Nice'' was Vigo's first film. It was followed by ''Taris, roi de l'eau'' (1931), ''Zéro de conduite'' (1933) and ''L'Atalante'' in 1934, the year Vigo died.
==Background==
Vigo, suffering from tuberculosis, worked as an assistant cameraman for a small company in Nice. After his father-in-law gave him and his wife $250, Vigo bought his own Debrie camera. In the summer of 1929 in Paris, Vigo met Boris and Mikhail Kaufman, the brothers of Dziga Vertov. Boris Kaufman was interested in Vigo's idea about making a film on the city of Nice, and the two, together with their wives, created a script. Vigo saved ends of film from his work and the filming was underway by year's end. In the film, Vigo wanted to avoid a travelogue approach and show the boredom of the upper class in the casinos and at the shore, and the struggle of the poor inhabitants in the slums. As Vigo and Kaufman were unable to shoot inside casinos, they decided to concentrate on the strength of their images and rely on the editing phase.

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
ウィキペディアで「À propos de Nice」の詳細全文を読む



スポンサード リンク
翻訳と辞書 : 翻訳のためのインターネットリソース

Copyright(C) kotoba.ne.jp 1997-2016. All Rights Reserved.